Tracks (41)

  1. The Annihilator

    Hard Rock with Orchestral and Electronic Edge and BIG action hits. 2 Bass breakdown sections. Could work really well for a nightclub/drug heist scene. Think of a Linkin Park song as an instrumental.

    Komponiert von Michael David Barresi

  2. Time Is Running Out

    Tribal Beat builds to pause and big action beat track kicks in at :30. Chase scene. Breaks down to low tension pulse at :59.

    Komponiert von Barry French

  3. Kickin Ass

    Hybrid Orchestral Rock track w Electro elements. Could be a team of spies/assassins out to take action.

    Komponiert von John Mazzei, Kelvin Boon Hern Tan

  4. Holy Smoke

    Hybrid Orchestral Electronic Rock track with Middle Eastern flavor. Killer hook, and big sweeping melody at 0:32. Think of "Kashmir" meets electronic dance.

    Komponiert von Kelvin Boon Hern Tan

  5. Try To Catch Me

    Fast pace orchestral chase with melodic elements and big build up.

    Komponiert von Edgar Rothermich

  6. Endless Pursue

    Big Orchestral dramatic chase with ups and downs, builds intensity and ends with a finale theme

    Komponiert von Edgar Rothermich

  7. Elfs With Fangs

    Big dark Orchestra with a touch of Danny Elfman. Long build toward end sweep. Melodic theme at 0:20 is similar to some cues from Rocky.

    Komponiert von Edgar Rothermich

  8. Developing Case

    Orchestral with electronica sounds create a subtle urgency with breaks and build ups. Starts as electronica, gradually adds more orchestral elements.

    Komponiert von Edgar Rothermich

  9. Dark Forces

    Big dramatic Orchestra with Inception-style horns and rock guitars for the big end run. Similar to Pirates of the Caribbean or Lord of the Rings action/suspense cues. The cue sounds like dark armies are amassing for battle.

    Komponiert von Edgar Rothermich

  10. Danger Ahead

    Big Orchestral drums signaling approaching danger with ongoing tension. Hook is similar to Beethoven's 5th. Sounds like a Bourne cue, with lots of driving percussion.

    Komponiert von Edgar Rothermich

  11. Being Persistant

    Big, percussive, orchestral drama, leading to a strong end theme. Big, open, expansive, "Western"-sounding string theme at 1:06. Ending melody reminiscent of Magnificent Seven.

    Komponiert von Edgar Rothermich

  12. Action Feed

    Heavy Industrial Rock Hybrid, nasty synth arpeggio, big drums with breaks and build-ups. Sounds like Jason Bourne running.

    Komponiert von Martin Andreas Veida, Peter Liljeqvist

  13. And Thundered The Stars

    Cinematic action. Begins with slow string/synth mood build, moves into action at 0:31, with crunchy guitars, rock drums and stacc strings. Short breakdown at 1:32, then epic build with horns to climax. Synths and FX at transition points.

    Komponiert von Robert Craig Oxenbridge

  14. Chase Me Down Sucka

    Angular string lines, electronic drums (Drum n' Bass), synths, fast paced, newsroom, 80s action

    Komponiert von Amos Edward Carlen, Neil Douglas Shilkin

  15. Cliffhanger

    Rhythmically driving, strings-percussion dominated promo music with edit points. Could be used for a sports team preparing to face an opponent.

    Komponiert von Adonis Aletras

  16. Crimespree

    Strings-percussion dominated promo music with edit points. Sounds like a robbery, burglary, or heist. Key change at 0:47, changes back at 1:11.

    Komponiert von Adonis Aletras

  17. Danger House

    Dark High Tech chase scene music with dubstep and house undertones. Lots of sweeping synths. Think of "Ocean's 11" meets "The Matrix;" this cue will work for a club scene or a high-tech heist scene.

    Komponiert von Mark J Smith

  18. Empire Of The Sun

    Cinematic action, trailer style. Slow strings and textured female vocal lead into staccato strings, rock guitars, big drums and driving horns. Very rhythmic and suspenseful.

    Komponiert von Robert Craig Oxenbridge

  19. Incursion Point

    Layers of drums and percussion promote anticipation and tension. Second section builds more drama and power to finish with sting ending.

    Komponiert von Robert Craig Oxenbridge

  20. Legaleagle

    Strings-percussion dominated promo music with edit points. Sounds like it could work for a courtroom drama or legal thriller.

    Komponiert von Adonis Aletras

  21. Made Me Do It

    Industrial Rock Hybrid, slow, hard, mysterious, ambient and rough. Sounds similar to the intro to Smashing Pumpkins' The Beginning is the End is the Beginning.

    Komponiert von Martin Andreas Veida, Peter Liljeqvist

  22. Powerplay

    Strings-percussion dominated promo music with edit points. Active, but not dark. Starts off sounding classical, then adds rock elements.

    Komponiert von Adonis Aletras

  23. Rocketer

    Ambient Rock Hybrid with a lot of hard drums and percussive elements, drum-breaks. Synth-driven, with a nice build-up to an epic ending with synth arpeggios. Works great for a party or club scene. Nightlife, etc. Think of the club scene in Collateral.

    Komponiert von Peter Liljeqvist, Martin Andreas Veida

  24. Rokket Fighter X

    Lots of guitars, bass and drums combine for a hard hitting metal tinged heavy synth rock piece

    Komponiert von Amos Edward Carlen

  25. Follow The Devil

    Dark Suspenseful intro leading to Driving Industrial Rock style. Starts off as a psychological thriller, then becomes an action scene/pursuit.

    Komponiert von Kelvin Boon Hern Tan

  26. Terrorscope

    Hybrid Dubstep intro leading to Energetic Rocktronica style. Works really well for a dark club scene, dance party gone wrong, urban dystopia, or chase scene at night. Think of The Matrix or Blade Runner.

    Komponiert von Kelvin Boon Hern Tan

  27. Better Run

    Dramatic hard and action filled Drum & Bass track with nasty basslines and sound. Fast solid drumbeat. Suspense and action.

    Komponiert von Peter Liljeqvist, Martin Andreas Veida

  28. Big Trailer

    Percussive movie trailer type constant build up

    Komponiert von Martin Vincent Peters, Christopher L Hugan

  29. Brave Knight

    Orchestal Action Cue with synth strings and perc

    Komponiert von Maarit Maritta Korhonen

  30. Chasing The Villains

    Soundtrack, percussion, FX, Drones,

    Komponiert von Coulton P. Weatherston

  31. Driving Surge

    Soundtrack, percussion, Fast

    Komponiert von Coulton P. Weatherston

  32. Military Anthem

    Epic orchestral horn theme and marching snare drums build to an Olympic moment

    Komponiert von Christopher L Hugan, Martin Vincent Peters

  33. Monster Guitar

    Energized and fast paced guitar driven cue.

    Komponiert von Dennis P. Coronel, Evan Laflamme

  34. Power Force

    Soundtrack

    Komponiert von Coulton P. Weatherston

  35. Primetime Action

    Up-tempo driving track with BIG action hits. Builds with tension releases.

    Komponiert von Gary A Piatt

  36. Running Action

    Komponiert von Matt Nawada

  37. Strong Strum

    Strong, heavy and energetic guitar driven cue.

    Komponiert von Dennis P. Coronel, Evan Laflamme

  38. The Fall Of Lucifer

    Dark, dramatic orchestral anthem that builds a feeling of epic tragedy

    Komponiert von Jeffrey Troy McGaha

  39. Unexpected Victory

    Turning of the tide

    Komponiert von Richard Bowling

  40. Violent Escape

    Dramatic Heavy hits, ethnic percussion builds to frantic suspenseful crescendo

    Komponiert von Christopher L Hugan, Martin Vincent Peters

  41. Zero Heart Rate

    Hard rock track with pumping bass, guitar stabs, weird pads and very groovy drums. Industrial, Nine Inch Nails inspired.

    Komponiert von Peter Liljeqvist, Martin Andreas Veida